Ok, 1. In my opinion, redheads have a much nicer hair colour than blondes do. This is only because their hair colour is so rare and unique. It's gorgeous. There's no possible way of stating whether or not redheads or blondes have more fun, but im guessing blondes do because there are more of them in the world, and people seem to have a weird thing agaisnt redheads. I wouldnt mind having either colour in my hair, they both go with my natural hair colour.
Blondes or redheads?? | Yahoo Answers
There's room for both innovators and curators in indie rock, and if you appreciate the latter, perhaps you've found time for Blonde Redhead over the past two decades. The group has always strived to be a gateway to cool and, as such, would probably take it as a compliment to suggest they never sounded like they could've been from anywhere other than New York. That comes to an end on Penny Sparkle , an album whose quest to evoke a more comfortable point in our collective lives almost qualifies it as chillwave. Yet it's not the sound of "the beach" or "youth" that Penny Sparkle embodies, but rather our last economic boom period, a time that inspired countless chill-out compilations and dubious record deals from labels who swear they found their more radio-friendly Portishead. If you happen to be a music coordinator for Banana Republic, Penny Sparkle is an early Christmas gift. For everyone else, you're left to wonder whether will produce a more profoundly boring album from a band who actually had a reputation to uphold. This shift doesn't come wholly unexpectedly-- songs like "The Dress", "My Impure Hair", and "Heroine" leaned toward pillowy electro-balladry, but they served as important contrast between the Loveless worship.
Blondes or redheads??
The album was released on March 11, through Touch and Go Records. From Wikipedia, the free encyclopedia. Blonde Redhead. John Goodmanson Blonde Redhead. Touch and Go Records.
Such yakking only grew louder when the group, then a quartet, signed with Steve Shelley 's Smells Like label in for a pair of LPs, and then let the Sonic Youth drummer produce them. But if this stubborn outfit of two handsome Italian-Americans and a pretty Japanese-American doesn't care about being branded copycats, and it seems they don't, then neither should anyone else. Improving with each release, the solid, crashing duo of guitarists and alternating singers Kazu Makino and Amedeo Pace may borrow an ethic, an anti-pop stance, and atonal tension that's super-familiar, but the clean sound, direct attack, and straightforward, tense delivery are all their own. Moreover, there's plenty of room for further exploration in these dark, forbidding, tempest-ridden post-punk seas.